Mysterion of the Cosmos
Florence International Bienalli of Contemporary art. Florence, Italy. Arcetri Astro Physics Laboratory. Florence, Italy.
La Secunda Genesi
Parco della Pace di Ravenna, Italy
World Trade Center International Monument and Museum. New York City.
Pyramid of Souls
Immortal Diamond
Andrei Sahkarov Human Rights Monument. Moscow.
In 1941 Jerry Carter entered the world in the heartland of America: Wichita, Kansas. Born perched on the expansive Great Plains of the North American continent, Jerry, as a child, often found himself standing in the vast open fields beneath the night sky, bathed in the crystal-clear radiance of the Milky Way. There, he embarked on a personal voyage of exploration, attempting to estimate the distances to various stars and planets. The scorching Kansas Summer Sun bore down upon him, its intensity as a constant reminder that The Sun was fearsome. It was a large hot blinding glow inhabiting the vastness of space.
By the age of seven, as his family departed the boundless horizons of Kansas for their new home in Washington, D.C. Jerry had internalized certain truths: that he resided within the vastness of space, that the sun was both a source of life and a potentially perilous force, and that beneath the cultivated wheat fields lay large scollop shells of an ancient seabed from the Jurassic era.
juxtaposed to the urban sprawl of Washington, D.C. and tall trees loomed over him, casting shadows that masked the night sky's brilliance. Through the occasional gaps in the urban canopy, he caught only fleeting glimpses of distant stars he was familiar with, obscured by the ever-present glow of city lights and smog.
Carter's overarching aspiration is to shed light, instill serenity, and inspire action as we pay homage to and preserve the divine order and structure within which we exist. Carter says it is time for us to broaden our conscious recognition of our place within the Universe, and revere our nurturing living host, covering the thin rocky crust all life is dependent on. For we, our actions, have undeniably reduced the Earth's capacity to sustain us.
Without returning to a sustainable way of life for the living system, which Jim Lovelock identifies as GAIA, we and our offspring are destined to become faint echoes, leaving behind nothing but molecular fragments of dust in a vast Universe. The insights we have cultivated throughout history endure; our essence transcends the finality of "the end." It is our duty to pass down this wisdom to our progeny so they, too, can understand that they possess the power to transcend the confines of Human self centeredness of material interpretations. Humans must strive for a higher plane of existence by accepting the fact that our existence is secondary to the existence of the whole living system covering the rocky crust of this planet we inhabit.
The Artist’s Message
Portfolio
50+ years later, Carter’s activities as an artist, designer, and verbal communicator have been to portray the true relationship between human existence in the Earth’s biosphere upon which human species is dependent. It is in this living biosphere covering of the rocky crust of our molten planet we call Earth lost someplace in the universe we call home.
He has had over 50 solo exhibitions in six countries in which the theme of human existence in space is dominant. His words and images on this subject have appeared in many publications and in many languages for over three decades.
For his efforts in Architecture and Art, Carter has been recognized by many international art communities, as well as by the Governors and legislatures of the States of Maryland and Kansas in the US; international organizations which include UNESCO, The European Parliament, The Climate Institute, The World Resource Institute, The American Chemical Society, and The American Association for the Advancement of Science. He has also received a NASA recognition award for his imaging of the planet Earth in his Second Genesis, American Peace and Ecology Monument, in Ravenna, Italy.
LA SECUNDA GENESI
Mixed Media Glass cast stone
With his presentation of “The Mysterion of the Cosmos,”a group of cast reliefs with mosaic, Carter won the Lorenzo Di Medici Award at the Florence International Biennale for Contemporary Art. Imaging of the planet in Second Genesis, The American Peace and Ecology Monument, a freestanding mosaic in Ravenna, Italy. Carter won the Lorenzo Di Medici award Florence International Biennale for Contemporary Art.
Carter designed and created The American Peace and Ecology Monument, Second Genesis.[1983-85] in Ravenna, Italy. In 1990 Carter was the first person to bring into the Soviet Union an art exhibition with no government intervention. As a guest of The Supreme Soviet, he was an American Delegate in The Global Forum of Spiritual and Parliamentarian Leaders on Human Survival. Carter returned to Moscow a year later to take part in the Human Rights Forum, presenting the findings at the final joint Soviet / American session. He is the author of the Human Rights / Andrei Sakaharov Monument. And The Center for Democratic Principles which was approved by The Moscow Soviet and for which the Mayor of Moscow donated 10 acres in central Moscow.
*Museum & Arts Magazine Washington